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The longer Cedille Selects track excerpts are designed to provide a representative overview of the album

I. In the Wings (3:58)

Acrobats* (2002) (12:48)

II. Flashback (4:10)

III. Up in the Air (4:32)

El Coco (1999) (3:27)

Nostalgia (1985) (5:55)

1. Tango Solitaire (4:09)

Dances in the Madhouse (1982) (12:13)

2. Waltz for the Old Folks (2:05)

3. Ballad for the Lonely (3:38)

4. Samba! (2:10)

I. Allegro giusto (3:17)

Trittico* (1985, rev. 2002) (12:38) with Katinka Kleijn, cello

II. Adagio sospiroso (5:11)

III. Allegro con brio (4:02)

I. Introverted (6:26)

Extremes* (1987) (12:30) with Joshua Rubin, clarinet

II. Extroverted (6:01)

I. In the Wings (3:58)

II. Flashback (4:10)

III. Up in the Air (4:32)

El Coco (1999) (3:27)

Nostalgia (1985) (5:55)

1. Tango Solitaire (4:09)

2. Waltz for the Old Folks (2:05)

3. Ballad for the Lonely (3:38)

4. Samba! (2:10)

I. Allegro giusto (3:17)

II. Adagio sospiroso (5:11)

III. Allegro con brio (4:02)

I. Introverted (6:26)

II. Extroverted (6:01)

I. In the Wings (3:58)

2. Waltz for the Old Folks (2:05)

II. Adagio sospiroso (5:11)

II. Extroverted (6:01)

The assessments of David Leisner's most celebrated work, , could apply to all the pieces on this CD of Leisner's complete works for flute and guitar, all composed between 1982 and 2002.The disc contains three world-premiere recordings, including the playful and haunting ; , inspired by Renaissance paintings; and Leisner's exploration of contrasting personality types, .In addition to , which is fast becoming a modern classic, the disc contains , inspired by a Francisco Goya print, and the aptly-named .Making its Cedille Records debut, the Cavatina Duo has received widespread praise for its imaginative performances.

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"The playing is spectacular."

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'these two feel the music deeply and are of as one mind as they play."

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David Leisner (davidleisner.com)

"In many cases, they play my music more beautifully than I imagined could be done. They are a composer's dream."

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Fanfare (www.fanfaremag.com)

"This is tonal music, rich in invention and melody, emotionally direct, and beautiful. I'm sure it's also a joy to play, with parts that creatively exploit each instrument's potential. . . . Leisner's lyricism, gift for melody, and compositional finesse make his music very appealing. In addition, it's doubtful that the Cavatina's sophisticated and artistic playing could be surpassed."

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Guitar Review

"Exquisite beauty . . . [proof that] a composer needn't sacrifice originality and quality for accessibility."

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"A potent addition to the repertory - giddy, attractive reinterpretations of traditional forms."

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"Leisner's music is direct and accessible without sacrificing expressivity. The composer has a firm but flexible grasp on tonal harmony and rhythm, especially dance rhythms. The instruments are shown off to great effect. . . . The Cavatina Duo, are excellent instrumentalists and sensitive musicians. . . . This is well-made music, lovingly played and recorded."

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Program Notes

One might consider the flute and guitar odd bedfellows. The generally bright, edgy presence of the flute would not appear to be a natural match for the mellower intimacy of the guitar. Yet, despite and maybe even because of these differences, the combination is popular among performers and composers. In fact, as a composer, I have often turned to this instrumentation and found it to be a source of great variety of color, mood, and expression.

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